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Amalgam Fine Model Cars produces model cars and yachts, for designers, manufacturers and high-end collectors worldwide. Their models are hand-made by a highly skilled team in very concise, limited editions.
They supply the majority of Formula 1 teams with large-scale models and replica steering wheels for presentation to VIPs and for the use of sponsors and team partners. Their models are displayed in the offices of team owners, managers and chief designers across the sport, as well as many F1 drivers. Beyond the race industry, they supply most of the world's prestige and high-performance car manufacturers. In most cases, these models are available to owners, personalized to match the exact specification of their real car.
Subject ID: 19984
MoreAmalgam Fine Model Cars produces model cars and yachts, for designers, manufacturers and high-end collectors worldwide. Their models are hand-made by a highly skilled team in very concise, limited editions.
They supply the majority of Formula 1 teams with large-scale models and replica steering wheels for presentation to VIPs and for the use of sponsors and team partners. Their models are displayed in the offices of team owners, managers and chief designers across the sport, as well as many F1 drivers. Beyond the race industry, they supply most of the world's prestige and high-performance car manufacturers. In most cases, these models are available to owners, personalized to match the exact specification of their real car.
Subject ID: 19984
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Subject ID: 19984
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Official Marketing Text:
The Bentley Blower is, for many, the iconic racing Bentley of the pre-war years. Ironically, the 4 ½ Litre Supercharged was the least successful of all the Cricklewood Bentleys in competition – and founder W.O. Bentley bitterly opposed its development. By 1928, it had become clear that the 4 ½ Litre was reaching the end of its development and that competitors were closing the gap fast on Bentley’s racing supremacy. W.O. Bentley believed the solution was simple: increase the engine capacity. However, Sir Henry (Tim) Birkin, one of the Bentley Boys, preferred the supercharging alternative, one that W.O. saw as ‘perverting the engine’s design and corrupt its performance’. Birkin convinced Bentley Chairman Woolf Barnato to overrule W.O. and approve the project. Only 55 of the 720 Bentley 4½ litres ever produced between 1927 and 1931 were Blowers, but this still complied with the minimum production run for competition racing. Funded by the wealthy heiress, the Hon. Dorothy Paget, Birkin put together a racing team of four remodelled "prototypes" (three road cars for Le Mans and Blower No.1, his original) and assembled a fifth car from spare parts. Birkin's blower Bentleys were too late for Le Mans in 1929 and only two of the cars reached the start line in 1930. Neither car reached the finish line, but it is widely considered that the Dudley Benjafield and Birkin privately entered Bentley Blowers’ relentless pursuit of the Rudolf Caracciola's Mercedes SSK paved the way for the victory to the Bentley works team Speed Six of Barnato and Glen Kidston. Despite this, many consider the Blower’s finest hour to have come in the 1930 French Grand Prix at Pau. Amid a field of Bugatti Grand Prix cars, Birkin wrestled the huge Bentley to a heroic second place in what was almost certainly the heaviest car ever entered in a grand prix, at over two tonnes.
This model is a perfect scale replica of the No. 9 Bentley 4½ litre which competed at the 24 Hours of Le Mans on 21 and 22 June 1930. Driven by Sir Henry (Tim) Birkin and Jean Chassagne, the #9 was involved in an epic duel with fellow Bentley Blower racers Dr Dudley Benjafield and Giulio Ramponi and the Rudolf Caracciola and Christian Werner piloted Mercedes-Benz SSK. The SSK started strongly in the bright sunshine but, by the fourth lap, Birkin was on Caracciola's tail at the Pontlieue curves. Reaching 195 km/h, he passed the Mercedes as they braked heavily for the Mulsanne corner. Birkin continued from this manoeuvre, setting a new lap record of a 6m48s, but on the next lap the tread came off a rear tyre and he had to pit. It took only half a minute to change the wheel, and then in only five laps Birkin was right behind the Mercedes. Just as he again overtook Caracciola on the Mulsanne Straight the tread on the other tyre let go. Although he dropped two wheels off the road, Birkin was able to complete the pass until the tyre blew at Arnage forcing him to pit yet again. By nightfall, after five separate tyre failures, the Birkin/Chassagne car was running seventh. However, the pressure the duo placed upon the Mercedes soon became clear, the SSK retiring at the halfway point with a flat battery after a wire had come loose on its dynamo. The second half of the race devolved into a routine procession, early morning mist and a heavy rain shower contributing to a dour race. Just before midday, four hours from the end of the race, the Birkin/Chassagne Bentley broke a conrod and had to retire, leaving the victory to the Bentley works team Speed Six of Woolf Barnato and Glen Kidston. Birkin's courage and fearless driving, in particular his selflessly harrying Caracciola into submission, are regarded as embodying the true spirit of the Vintage Racing era and are widely considered the very reason Bentley emerged victorious at the 1930 Le Mans.
This fine scale model has been handcrafted and finished in our workshops with the co-operation and assistance of the manufacturer regarding original finishes, materials, archive imagery and drawings. The use of original CAD and supremely accurate digital scanning of the original car has allowed us to perfectly recreate every detail at scale. Furthermore, the prototype model has undergone detailed scrutiny by the manufacturer’s engineering and design teams to ensure complete accuracy of representation.
The Bentley Blower 1930 Le Mans is limited to only 199 pieces.
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Please note the above image is a composite. Images of the 1:18 scale model will displayed as soon as they are available.
The Bentley Blower is, for many, the iconic racing Bentley of the pre-war years. Ironically, the 4 ½ Litre Supercharged was the least successful of all the Cricklewood Bentleys in competition – and founder W.O. Bentley bitterly opposed its development. By 1928, it had become clear that the 4 ½ Litre was reaching the end of its development and that competitors were closing the gap fast on Bentley’s racing supremacy. W.O. Bentley believed the solution was simple: increase the engine capacity. However, Sir Henry (Tim) Birkin, one of the Bentley Boys, preferred the supercharging alternative, one that W.O. saw as ‘perverting the engine’s design and corrupt its performance’. Birkin convinced Bentley Chairman Woolf Barnato to overrule W.O. and approve the project. Only 55 of the 720 Bentley 4½ litres ever produced between 1927 and 1931 were Blowers, but this still complied with the minimum production run for competition racing. Funded by the wealthy heiress, the Hon. Dorothy Paget, Birkin put together a racing team of four remodelled "prototypes" (three road cars for Le Mans and Blower No.1, his original) and assembled a fifth car from spare parts. Birkin's blower Bentleys were too late for Le Mans in 1929 and only two of the cars reached the start line in 1930. Neither car reached the finish line, but it is widely considered that the Dudley Benjafield and Birkin privately entered Bentley Blowers’ relentless pursuit of the Rudolf Caracciola's Mercedes SSK paved the way for the victory to the Bentley works team Speed Six of Barnato and Glen Kidston. Despite this, many consider the Blower’s finest hour to have come in the 1930 French Grand Prix at Pau. Amid a field of Bugatti Grand Prix cars, Birkin wrestled the huge Bentley to a heroic second place in what was almost certainly the heaviest car ever entered in a grand prix, at over two tonnes.
This model is a perfect scale replica of the No. 9 Bentley 4½ litre which competed at the 24 Hours of Le Mans on 21 and 22 June 1930. Driven by Sir Henry (Tim) Birkin and Jean Chassagne, the #9 was involved in an epic duel with fellow Bentley Blower racers Dr Dudley Benjafield and Giulio Ramponi and the Rudolf Caracciola and Christian Werner piloted Mercedes-Benz SSK. The SSK started strongly in the bright sunshine but, by the fourth lap, Birkin was on Caracciola's tail at the Pontlieue curves. Reaching 195 km/h, he passed the Mercedes as they braked heavily for the Mulsanne corner. Birkin continued from this manoeuvre, setting a new lap record of a 6m48s, but on the next lap the tread came off a rear tyre and he had to pit. It took only half a minute to change the wheel, and then in only five laps Birkin was right behind the Mercedes. Just as he again overtook Caracciola on the Mulsanne Straight the tread on the other tyre let go. Although he dropped two wheels off the road, Birkin was able to complete the pass until the tyre blew at Arnage forcing him to pit yet again. By nightfall, after five separate tyre failures, the Birkin/Chassagne car was running seventh. However, the pressure the duo placed upon the Mercedes soon became clear, the SSK retiring at the halfway point with a flat battery after a wire had come loose on its dynamo. The second half of the race devolved into a routine procession, early morning mist and a heavy rain shower contributing to a dour race. Just before midday, four hours from the end of the race, the Birkin/Chassagne Bentley broke a conrod and had to retire, leaving the victory to the Bentley works team Speed Six of Woolf Barnato and Glen Kidston. Birkin's courage and fearless driving, in particular his selflessly harrying Caracciola into submission, are regarded as embodying the true spirit of the Vintage Racing era and are widely considered the very reason Bentley emerged victorious at the 1930 Le Mans.
This fine scale model has been handcrafted and finished in our workshops with the co-operation and assistance of the manufacturer regarding original finishes, materials, archive imagery and drawings. The use of original CAD and supremely accurate digital scanning of the original car has allowed us to perfectly recreate every detail at scale. Furthermore, the prototype model has undergone detailed scrutiny by the manufacturer’s engineering and design teams to ensure complete accuracy of representation.
Note: This is a 'Kerbside' model and does not any feature moving parts.
The A1 Grand Prix Series ran four split seasons, 2005/2006 through 2008/2009. It never fulfilled the objective of drawing F1 fans during the Northern Hemisphere Winter.
This was one of a series of 'Presentation Cars' that may not be representative of the vehicles that actually raced. It appears that Amalgam did this for three A1GP split seasons beginning with 2005/2006. There is no mention of any 1:43 models on their website today. The company makes high quality models and these sold for twice the price of a Minichamps. In the secondary market, they are very inexpensive. They may be of interest as an early ride for some sportscar and Indycar names.
Jos Verstappen drove for the Netherlands team in their 1st season.
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The A1 Grand Prix Series ran four split seasons, 2005/2006 through 2008/2009. It never fulfilled the objective of drawing F1 fans during the Northern Hemisphere Winter.
This was one of a series of 'Presentation Cars' that may not be representative of the vehicles that actually raced. It appears that Amalgam did this for three A1GP split seasons beginning with 2005/2006. There is no mention of any 1:43 models on their website today. The company makes high quality models and these sold for twice the price of a Minichamps. In the secondary market, they are very inexpensive. They may be of interest as an early ride for some sportscar and Indycar names.
Jan Lammers was the 'seat holder' for the Netherlands team but was not a driver in any of the races. This car seems to have been created to introduce the series to the public and it carries the flags of all the participating nations, rather than the orange livery of the Netherlands team. Lammer probably drove the car for the press conference.
This was one of a series of A1 Grand Prix Series 'Presentation Cars' that may not be representative of the vehicles that actually raced. It appears that Amalgam only did this for the split 2007/2008 season and there is no mention of any 1:43 models on their website today.
The series ran four seasons, 2005/2006 to 2008/2009. It never fulfilled the objective of drawing F1 fans during the Northern Hemisphere Winter. Amalgam makes high quality models and these sold for twice the price of a Minichamps. In the secondary market, they are very inexpensive. They may be of interest as an early ride for some sportscar and Indycar names
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A fine 1:8 large-scale collector’s model of the Abarth 695 Tributo Ferrari as unveiled at the Frankfurt Motor Show in September 2009.
This model has been hand-crafted utilising the original CAD data supplied directly by Abarth and has undergone strict scrutiny by both the design and engineering teams to ensure complete accuracy.
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A fine 1:8 large-scale collector’s model of the Abarth 695 Tributo Ferrari as unveiled at the Frankfurt Motor Show in September 2009.
This model has been hand-crafted utilising the original CAD data supplied directly by Abarth and has undergone strict scrutiny by both the design and engineering teams to ensure complete accuracy
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Seldom has there been a more convincing claimant to the title of the complete car than Vittorio Jano’s masterpiece, the Alfa Romeo 8C. The epitome of the spirit of racing in the glamorous 1930s era, with victories in Grand Prix racing, at Le Mans four years in succession, and in no less than seven editions of the Mille Miglia, its competition credentials are beyond reproach and, yet, only tell part of the 8C story. The chassis, available in both long chassis Lungo and short chassis Corto form, underpinned some of the finest and most elegant touring cars of its day, featuring timeless coachwork from contemporary Carrozzerie including Zagato, Touring, Castagna, and Brianza.
This said, it is in its renowned ‘Monza’ form that the 8C is perhaps most admired. In 1931, Alfa Romeo added two additional cylinders to the 6C 1750, creating the 8C 2300, before preparing a stripped down, short-wheelbase version of the chassis—complete with tapered racing tail and full-length side exhaust—to be driven by Tazio Nuvolari and Giuseppe Campari in their home Grand Prix in Monza. A dominant victory in Alfa Romeo’s back yard would lead to the moniker by which it would forever be known.
Victories followed repeatedly for the Monza, including three consecutive Targa Florio wins (1931-1933), the domination of the 24 Hours of Le Mans for four uninterrupted years (1931-1934) and numerous Grand Prix successes across Europe, parading the fact that the 8C had become practically invincible. The 8C became inescapably linked with the legendary Italian racing driver Tazio Nuvolari who won many competitions behind the wheel, including the 1931 Coppa Ciano, two instances of the Targa Florio (those 1931 and 1932 victories), the 1932 Monaco Grand Prix, the 1933 24 Hours of Le Mans and the 1933 Mille Miglia to add to that prestigious Italian Grand Prix at Monza.
The 8C enjoyed an excellent power-to-weight ratio and the 1932 variant no doubt benefited from an enlarged 2665cc version of the engine, fed through not one but two superchargers. In 1933, Alfa Romeo retired the Monza from works racing, but a brigade of successful privateers carried the 8C mantle. The supremacy of the 8C meant that it continued to perform well on track well into the middle of the decade and its undoubted character and style made it an icon of the age. It remains one of the most sought-after cars of all time; in 2016, a Monza sold at sold for just short of $12 million.
This fine 1:8 scale model is of the Alfa Romeo 8C 2300 as raced to victory by Tazio Nuvolari at the 1932 Monaco Grand Prix on the 17th of April 1932. It was the fourth running of the event, which had already gained international fame, and Alfa Romeo’s first appearance as a works team in Monaco, where they faced the teams from Bugatti and Maserati. Racing for the outfit from Portello, all in red Monzas, were the Italian trio of Nuvolari, Giuseppe Campari and Mario Umberto Borzacchini. There was a fourth car, a white Monza, for the German Rudolf Caracciola, who was not yet part of the official factory team.
The entry list was by invitation only and just 17 cars appeared on the grid, after two of the original 19 failed to start. Even though all the cars had been timed throughout practice, the order of the starting grid was still determined by ballot, Nuvolari being handed eleventh on the grid. The Italian started fantastically, passing seven cars within the first five laps, and settling into second position after ten laps. Despite Nuvolari's speed, he set a new fastest time of two minutes and four seconds on lap 12, he was unable to gain ground on the fast-starting Bugatti of Louis Chiron. The leading trio, including the Bugatti of Achille Varzi only five seconds behind the Alfa, began to pull away from the rest of the field, the followers matching the front-runner’s pace. After thirty laps, Nuvolari started to apply the pressure and gained ground on the leading Bugatti. Chiron rushed to pass one of the backmarkers and grazed the sandbags on the corner at the Quai de Plaisance, propelling the car into the air and turning it over, throwing Chiron into the road. Fortunately, Chiron was uninjured by the fall from his vehicle, except for some cuts and bruises, and recovered quickly, but this had wrecked Bugatti’s best chance for the win and handed the lead over to Alfa Romeo. It was a lead Nuvolari would not relinquish. Caracciola followed behind in the privateer Alfa Romeo, for the last forty laps, slowly closing the distance lap by lap, but declined to win when presented with the opportunity to overtake, as Nuvolari had almost dealt with the challenge of Bugatti singlehandedly and was now suffering from interruptions to his fuel supply. The duo crossed the line just 2.8 seconds apart. From the 17 cars at the start only ten finished after three and a half hours of racing.
The Alfa Romeo 2300 8C is limited to only 199 pieces.
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Official Marketing Text:
Seldom has there been a more convincing claimant to the title of the complete car than Vittorio Jano’s masterpiece, the Alfa Romeo 8C. The epitome of the spirit of racing in the glamorous 1930s era, with victories in Grand Prix racing, at Le Mans four years in succession, and in no less than seven editions of the Mille Miglia, its competition credentials are beyond reproach and, yet, only tell part of the 8C story. The chassis, available in both long chassis Lungo and short chassis Corto form, underpinned some of the finest and most elegant touring cars of its day, featuring timeless coachwork from contemporary Carrozzerie including Zagato, Touring, Castagna, and Brianza.
This said, it is in its renowned ‘Monza’ form that the 8C is perhaps most admired. In 1931, Alfa Romeo added two additional cylinders to the 6C 1750, creating the 8C 2300, before preparing a stripped down, short-wheelbase version of the chassis—complete with tapered racing tail and full-length side exhaust—to be driven by Tazio Nuvolari and Giuseppe Campari in their home Grand Prix in Monza. A dominant victory in Alfa Romeo’s back yard would lead to the moniker by which it would forever be known.
Victories followed repeatedly for the Monza, including three consecutive Targa Florio wins (1931-1933), the domination of the 24 Hours of Le Mans for four uninterrupted years (1931-1934) and numerous Grand Prix successes across Europe, parading the fact that the 8C had become practically invincible. The 8C became inescapably linked with the legendary Italian racing driver Tazio Nuvolari who won many competitions behind the wheel, including the 1931 Coppa Ciano, two instances of the Targa Florio (those 1931 and 1932 victories), the 1932 Monaco Grand Prix, the 1933 24 Hours of Le Mans and the 1933 Mille Miglia to add to that prestigious Italian Grand Prix at Monza.
The 8C enjoyed an excellent power-to-weight ratio and the 1932 variant no doubt benefited from an enlarged 2665cc version of the engine, fed through not one but two superchargers. In 1933, Alfa Romeo retired the Monza from works racing, but a brigade of successful privateers carried the 8C mantle. The supremacy of the 8C meant that it continued to perform well on track well into the middle of the decade and its undoubted character and style made it an icon of the age. It remains one of the most sought-after cars of all time; in 2016, a Monza sold at sold for just short of $12 million.
This fine 1:8 scale model is of the Alfa Romeo 8C 2300 as raced to victory by Tazio Nuvolari at the 1932 Monaco Grand Prix on the 17th of April 1932. It was the fourth running of the event, which had already gained international fame, and Alfa Romeo’s first appearance as a works team in Monaco, where they faced the teams from Bugatti and Maserati. Racing for the outfit from Portello, all in red Monzas, were the Italian trio of Nuvolari, Giuseppe Campari and Mario Umberto Borzacchini. There was a fourth car, a white Monza, for the German Rudolf Caracciola, who was not yet part of the official factory team.
The entry list was by invitation only and just 17 cars appeared on the grid, after two of the original 19 failed to start. Even though all the cars had been timed throughout practice, the order of the starting grid was still determined by ballot, Nuvolari being handed eleventh on the grid. The Italian started fantastically, passing seven cars within the first five laps, and settling into second position after ten laps. Despite Nuvolari's speed, he set a new fastest time of two minutes and four seconds on lap 12, he was unable to gain ground on the fast-starting Bugatti of Louis Chiron. The leading trio, including the Bugatti of Achille Varzi only five seconds behind the Alfa, began to pull away from the rest of the field, the followers matching the front-runner’s pace. After thirty laps, Nuvolari started to apply the pressure and gained ground on the leading Bugatti. Chiron rushed to pass one of the backmarkers and grazed the sandbags on the corner at the Quai de Plaisance, propelling the car into the air and turning it over, throwing Chiron into the road. Fortunately, Chiron was uninjured by the fall from his vehicle, except for some cuts and bruises, and recovered quickly, but this had wrecked Bugatti’s best chance for the win and handed the lead over to Alfa Romeo. It was a lead Nuvolari would not relinquish. Caracciola followed behind in the privateer Alfa Romeo, for the last forty laps, slowly closing the distance lap by lap, but declined to win when presented with the opportunity to overtake, as Nuvolari had almost dealt with the challenge of Bugatti singlehandedly and was now suffering from interruptions to his fuel supply. The duo crossed the line just 2.8 seconds apart. From the 17 cars at the start only ten finished after three and a half hours of racing.
The Alfa Romeo 2300 8C is limited to only 199 pieces.
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The 8C 2900 was always destined for greatness, being designed for the fearsome Italian Mille Miglia and the formidable 24 Hours of Le Mans, and being engineered by the legendary Vittorio Jano. It sported the 2.9 litre version of Alfa’s established 8C engine, said to boast 225bhp, aided and abetted by two superchargers and double updraught Weber carburettors. Bodywork for the model was largely provided by period coachwork maestro Carrozzeria Touring, who crafted the 2900’s stunning teardrop-shaped mudguards to the tapered rear. Over the course of five years of production, five examples, all made in 1938, stood out alone, from the 40 or so 2900s made.
This fine 1:8 scale model is based on one of only five cars built especially for the Mille Miglia, chassis 412031. The No. 143 car, driven by Clemente Biondetti, emerged victorious in the 1938 edition of the legendary Italian race, two minutes ahead of another 8c 2900 driven by Carlo Pintacuda. Pintacuda was on course to win the fabled race after setting incredible average speeds in the early stages, leading from the Italian town of Piacenza to Terni but, unfortunately for him, locked his brakes and lost position to Biondetti whilst undertaking repairs. After a gruelling twelve hours at the wheel, Biondetti was a worthy winner. The Alfa Romeo 8C 2900 Mille Miglia remains one of the most sought-after pre-war cars of all time.
This model has been handcrafted and finished in our workshops with the co-operation and assistance of the manufacturer regarding original finishes, materials, archive imagery and drawings. The use of original CAD and supremely accurate digital scanning of the original car has allowed us to perfectly recreate every detail at scale. Furthermore, the prototype model has undergone detailed scrutiny by the manufacturer’s engineering and design teams to ensure complete accuracy of representation.
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Official Marketing Text:
The 8C 2900 was always destined for greatness, being designed for the fearsome Italian Mille Miglia and the formidable 24 Hours of Le Mans, and being engineered by the legendary Vittorio Jano. It sported the 2.9 litre version of Alfa’s established 8C engine, said to boast 225bhp, aided and abetted by two superchargers and double updraught Weber carburettors. Bodywork for the model was largely provided by period coachwork maestro Carrozzeria Touring, who crafted the 2900’s stunning teardrop-shaped mudguards to the tapered rear. Over the course of five years of production, five examples, all made in 1938, stood out alone, from the 40 or so 2900s made.
This fine 1:8 scale model is based on one of only five cars built especially for the Mille Miglia, chassis 412031. The No. 143 car, driven by Clemente Biondetti, emerged victorious in the 1938 edition of the legendary Italian race, two minutes ahead of another 8c 2900 driven by Carlo Pintacuda. Pintacuda was on course to win the fabled race after setting incredible average speeds in the early stages, leading from the Italian town of Piacenza to Terni but, unfortunately for him, locked his brakes and lost position to Biondetti whilst undertaking repairs. After a gruelling twelve hours at the wheel, Biondetti was a worthy winner. The Alfa Romeo 8C 2900 Mille Miglia remains one of the most sought-after pre-war cars of all time.
This model has been handcrafted and finished in our workshops with the co-operation and assistance of the manufacturer regarding original finishes, materials, archive imagery and drawings. The use of original CAD and supremely accurate digital scanning of the original car has allowed us to perfectly recreate every detail at scale. Furthermore, the prototype model has undergone detailed scrutiny by the manufacturer’s engineering and design teams to ensure complete accuracy of representation.
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Driven by returning drivers Pato O'Ward and Felix Rosenqvist, and by Juan Pablo Montaya on a part-time basis for the GMR Grand Prix and the Indianapolis 500, the Dallara IR-12 with Dallara IR-18 Aero Kit was Arrow McLaren SP’s competitor for the 2022 NTT INDYCAR SERIES. The 2022 season would see O’Ward claim two victories in Alabama and Iowa, as well as two further podiums, while Rosenqvist achieved an additional podium in Toronto. O'Ward and Rosenqvist would finish second and fourth in the Indianapolis 500, the team's best finish at Indianapolis, and claimed seventh and eighth in the Drivers’ Championship respectively.
The NTT INDYCAR SERIES allows manufacturers to develop different types of engines, while every team uses the same chassis. Since the 2018 season until the end of the 2023 season, this has been the Dallara IR-12 chassis with IR-18 Aero Kit, whilst Honda and Chevrolet have provided the teams with different engines. Commonly referred to as the 'IR-18', the IR-12’s IR-18 Aero Kit was inspired by CART's 1990s and 2000s designs, but with a more streamlined appearance to reduce both aerodynamic downforce and team and manufacturer design development costs. The Aero Kit has fewer small aerodynamic pieces that can become broken or dislodged, with the intent to reduce the quantity of debris that ends up on the track, and is most notably lacking wheel guards, which were deemed to be a particular issue. The cockpit protection system, a combination of the Halo mandated in Formula 1 and a reinforced windscreen dubbed the “aeroscreen”, provided by Red Bull Advanced Technologies, was added in time for the 2020 season, to lessen the probability of traumatic head injuries from flying debris.
This fine model of the Dallara IR-12 with Dallara IR-18 Aero Kit is a 1:8 scale replica of the #5 Arrow McLaren SP car raced to victory by Pato O’Ward in the Honda Indy Grand Prix of Alabama at Barber Motorsports Park on the 1st of May 2022. O'Ward qualified second, his teammate Rosenquist sixth. The race, which took place in dry, sunny conditions after morning thunderstorms, unfolded initially as a strategic duel between drivers who chose a three-stop strategy and those who opted for two stops. However, that strategy unravelled when rookie Callum Ilott spun his No. 77 Juncos Hollinger Racing Chevrolet into the gravel trap adjacent to Turn 9 on Lap 32. That incident triggered the only full-course caution of the race and essentially returned the entire 26-car field to the same tire strategy. Nearly every driver pitted either just before or after Ilott’s incident and, following the restart on Lap 35, O’Ward remained second behind SONAX Chevrolet’s Rinus VeeKay and Rosnequist had dropped to eighth position. Dutch driver VeeKay managed to extend his lead to 2.0875 seconds over O’Ward by Lap 60 before pulling in for his final pit stop on lap 62, O’Ward following him in for fresh tyres. VeeKay was first to leave the pit lane but O’Ward pounced on the out lap; the Mexican racer passed VeeKay with a brave outside move in the hairpin Turn 5, before pulling ahead. The danger was far from over, however, as reigning champion Alex Palou produced sizzling in and out laps in the #10 The American Legion Chip Ganassi Racing Honda, and re-entered ahead of VeeKay in second. Palou kept O’Ward on his toes until the chequered flag, pulling to within 8951 of a second on Lap 73. O’Ward held off the threat though, taking victory by 0.98 seconds, sealing his and Arrow McLaren SP’s first win of the season. It was also Pato's third career victory. Sadly, for his teammate Rosenquist, a slight miscalculation in fuel meant he was forced to focus on efficiency rather than racing, and he dropped to sixteenth position by the end of the race.
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British Aston Martin engineering, combined with Italian Zagato body design: a powerful partnership that has given birth to many extraordinary cars since the 1960s, but none more beautiful and valuable than the Aston Martin DB4 GT Zagato. There is good reason for the current valuation of 1 VEV between $10 and $15 million USD. Discipline is the father of creativity, and the beautiful form of the DB4 GT Zagato was moulded and forged by the demanding brief handed to Ercole Spada to take every aspect of the already exceptional DB4 GT’s performance, and push it to a new level. With a raised top speed of 154 mph, the Zagato bodied car added three miles per hour to the top speed, with 0-60 in only 6.1 seconds. This was truly a race car made legal for the road, and anyone who has seen one of these cars up close will have experienced the impression of aircraft quality engineering they exude. In a nutshell, this car is automotive art at its most refined, and with only 19 cars created it is no surprise that the value is so very high.
To faithfully recreate 1 VEV, we were honoured to be given access to the original car to capture every detail with a very precise digital scan, and make a photoshoot of around 1000 high resolution images. Primary references have been taken from photographs shot at the 1961 Goodwood TT, with secondary references from other races of the period, and from the car today which was carefully restored to its original specification in 2007.
Considered by many as the most desirable Aston Martin road car of all time, the DB4 GT Zagato is easily one of the most exciting and beautiful sports cars to ever emerge from the UK. It was unveiled at the London Motor Show at Earl’s Court in October 1960, clothed in a stunningly beautiful and lightweight body from the famous Italian coachbuilder Zagato. As pre-cursors to perhaps the most famous Aston Martin, DB5, DB4GT and DB4GT Zagato played a crucial role in defining some of the iconic design cues still used in by Aston Martin today. Only 19 examples of this car were ever produced, and this rarity is reflected in their high value today: an original could be expected to be achieve over five million pounds at auction.
The DB4 itself was released to universal acclaim in 1958, whilst the GT variant was introduced just a year later, with Aston Martin eager to take it to the track. For this reason, the GT model had distinct modifications which prepared the DB4 for racing endurance. A shortened wheelbase, a much sparser interior and lighter bodywork contributed to its 85kg weight loss over the standard car, whilst the hood concealed a potent version of the 3.7 litre, straight six-cylinder engine that used triple Weber carburetors, twin-spark ignition, high lift camshafts and a 9:1 compression ratio raise power output to 302 bhp. Furthermore, the model had a dual-plate clutch, close-ratio transmission, Salisbury Power-Lok differential and larger Girling disc brakes. The GT’s maximum speed was 151 mph (243 km/h) and could sprint to 60 mph (97 km/h) in just 6.1 seconds. It was the fastest road legal production car at the time.
With a large factory backing, the DB4 GT was raced extensively with success by many famous drivers of the day. Despite this, Aston Martin felt they could achieve more, having emerged victorious at the 1959 edition of the 24 Hours of Le Mans with the purpose built DBR1. Enter Milan-based coachbuilder Zagato. Styling of the car was enlisted to Ercole Spada who was a newcomer to the Zagato firm and only 23 years old. In less than a week, Spada had transformed the DB4 GT, combining the essence of the Aston Martin’s shape with Zagato’s free flowing lines into a smaller, even more lightweight car. Many steel components were replaced by aluminium counterparts. Nearly every non-essential element disappeared such as the bumpers. With the help of Perspex and aluminium components, a further 45kgs were shed from the GT’s weight. The front incorporated the curved profile of Aston’s signature grill and the front was low enough to warrant twin bulges on the hood for valve cover clearance. In the trunk was a huge fuel tank and spare tire which left room for little else.
The Zagato did race, earning a podium on its first competitive appearance in the hands of Stirling Moss. Three Zagatos competed at Le Mans in 1961, including the most well-known 1 VEV and 2 VEV of John Ogier's Essex Racing Stable. A repeat of the 1959 Le Mans victory was not to be, with all three cars retiring. Success would follow for the first time just a month later at Aintree in a British Grand Prix Support race, as Lex Davison, behind the wheel of 2 VEV, took a last lap lead from a Jaguar E-Type. Further success followed at several British circuits such as Silverstone, Oulton Park and Brands Hatch.
This fine 1:8 scale model of the Aston Martin DB4 GT Zagato replicates chassis DB4GT/1082/R, more commonly known as ‘1 VEV’, exactly as raced at the 1961 RAC Goodwood Tourist Trophy in the hands of Roy Salvadori for John Ogier’s Essex Race Stable. Arguably one of the car’s finest moments, Salvadori qualified third fastest after practice with a time of 1 minute 36.6 seconds, ahead of his teammates Jim Clark and Innes Ireland, but behind Stirling Moss and Mike Parkes in their Ferrari 250 GT SWBs. A slightly slower start dropped 1 VEV to fourth behind Clark at the end of the first lap, though Salvadori regained this place soon after as the trunk of Clark’s Aston had opened itself and had to pull into the pits to fix the issue. Around halfway through the race, Parkes was black-flagged when part of his undertray began to drag on the road after an off-course excursion behind the bushes at Woodcote, allowing Salvadori and 1 VEV up into second place. This was not to last, as Parkes made a tactical surprise on his fourth and final pit stop, managing to undercut both Salvadori and Ireland to regain second place. Although Salvadori tried hard in the last 15 minutes to pull back the seven second deficit, the heavier Aston Martin just did not have the steam to make up any ground and he brought the car home to claim the final podium position.
1 VEV was originally built and raced together with sister car ‘2 VEV’ (DB4GT/0183/R) by John Ogier’s Essex Race Stable. Both cars were lightweight track focused versions of the Zagato derivative. 1 VEV was originally purchased and raced in the ‘green’ shade of Aqua Verde Caliente “1 VEV” and appears to have been sold by Ogier around early 1968, by which time it appears to have undergone at least 3 colour changes – ‘white’ around April 1965, ‘maroon’ around April 1966 and ironically ‘Ferrari red’ in October 1967. The car remained with Mr. Gregory up to 1990, in which it appeared to have undergone several bodywork changes to trim and arches, as well as minor interior modifications such as a radio, before being restored around 1990 and bought at auction. Despite these changes, given the lengths of ownerships and that the car had no major accidents, it remained very original. In 2007, under the watchful guidance of 1 VEV’s owner, the car was faithfully and extensively restored again, this time as accurately as possible, ensuring a return to its original 1961 specification.
This model has been handcrafted and finished in our workshops with the co-operation and assistance of Aston Martin regarding original finishes, materials, archive imagery and drawings. The use of original CAD and supremely accurate digital scanning of the original car has allowed us to perfectly recreate every detail at scale. Furthermore, the prototype model has undergone detailed scrutiny by the manufacturer’s engineering and design teams to ensure complete accuracy of representation.
The Aston Martin DB4 GT Zagato is limited to just 199 pieces.
2.75
2.75
Official Marketing Text:
British Aston Martin engineering, combined with Italian Zagato body design: a powerful partnership that has given birth to many extraordinary cars since the 1960s, but none more beautiful and valuable than the Aston Martin DB4 GT Zagato. There is good reason for the current valuation of 1 VEV between $10 and $15 million USD. Discipline is the father of creativity, and the beautiful form of the DB4 GT Zagato was moulded and forged by the demanding brief handed to Ercole Spada to take every aspect of the already exceptional DB4 GT’s performance, and push it to a new level. With a raised top speed of 154 mph, the Zagato bodied car added three miles per hour to the top speed, with 0-60 in only 6.1 seconds. This was truly a race car made legal for the road, and anyone who has seen one of these cars up close will have experienced the impression of aircraft quality engineering they exude. In a nutshell, this car is automotive art at its most refined, and with only 19 cars created it is no surprise that the value is so very high.
To faithfully recreate 1 VEV, we were honoured to be given access to the original car to capture every detail with a very precise digital scan, and make a photoshoot of around 1000 high resolution images. Primary references have been taken from photographs shot at the 1961 Goodwood TT, with secondary references from other races of the period, and from the car today which was carefully restored to its original specification in 2007.
Considered by many as the most desirable Aston Martin road car of all time, the DB4 GT Zagato is easily one of the most exciting and beautiful sports cars to ever emerge from the UK. It was unveiled at the London Motor Show at Earl’s Court in October 1960, clothed in a stunningly beautiful and lightweight body from the famous Italian coachbuilder Zagato. As pre-cursors to perhaps the most famous Aston Martin, DB5, DB4GT and DB4GT Zagato played a crucial role in defining some of the iconic design cues still used in by Aston Martin today. Only 19 examples of this car were ever produced, and this rarity is reflected in their high value today: an original could be expected to be achieve over five million pounds at auction.
The DB4 itself was released to universal acclaim in 1958, whilst the GT variant was introduced just a year later, with Aston Martin eager to take it to the track. For this reason, the GT model had distinct modifications which prepared the DB4 for racing endurance. A shortened wheelbase, a much sparser interior and lighter bodywork contributed to its 85kg weight loss over the standard car, whilst the hood concealed a potent version of the 3.7 litre, straight six-cylinder engine that used triple Weber carburetors, twin-spark ignition, high lift camshafts and a 9:1 compression ratio raise power output to 302 bhp. Furthermore, the model had a dual-plate clutch, close-ratio transmission, Salisbury Power-Lok differential and larger Girling disc brakes. The GT’s maximum speed was 151 mph (243 km/h) and could sprint to 60 mph (97 km/h) in just 6.1 seconds. It was the fastest road legal production car at the time.
With a large factory backing, the DB4 GT was raced extensively with success by many famous drivers of the day. Despite this, Aston Martin felt they could achieve more, having emerged victorious at the 1959 edition of the 24 Hours of Le Mans with the purpose built DBR1. Enter Milan-based coachbuilder Zagato. Styling of the car was enlisted to Ercole Spada who was a newcomer to the Zagato firm and only 23 years old. In less than a week, Spada had transformed the DB4 GT, combining the essence of the Aston Martin’s shape with Zagato’s free flowing lines into a smaller, even more lightweight car. Many steel components were replaced by aluminium counterparts. Nearly every non-essential element disappeared such as the bumpers. With the help of Perspex and aluminium components, a further 45kgs were shed from the GT’s weight. The front incorporated the curved profile of Aston’s signature grill and the front was low enough to warrant twin bulges on the hood for valve cover clearance. In the trunk was a huge fuel tank and spare tire which left room for little else.
The Zagato did race, earning a podium on its first competitive appearance in the hands of Stirling Moss. Three Zagatos competed at Le Mans in 1961, including the most well-known 1 VEV and 2 VEV of John Ogier's Essex Racing Stable. A repeat of the 1959 Le Mans victory was not to be, with all three cars retiring. Success would follow for the first time just a month later at Aintree in a British Grand Prix Support race, as Lex Davison, behind the wheel of 2 VEV, took a last lap lead from a Jaguar E-Type. Further success followed at several British circuits such as Silverstone, Oulton Park and Brands Hatch.
This fine 1:8 scale model of the Aston Martin DB4 GT Zagato replicates chassis DB4GT/1082/R, more commonly known as ‘1 VEV’, exactly as raced at the 1961 RAC Goodwood Tourist Trophy in the hands of Roy Salvadori for John Ogier’s Essex Race Stable. Arguably one of the car’s finest moments, Salvadori qualified third fastest after practice with a time of 1 minute 36.6 seconds, ahead of his teammates Jim Clark and Innes Ireland, but behind Stirling Moss and Mike Parkes in their Ferrari 250 GT SWBs. A slightly slower start dropped 1 VEV to fourth behind Clark at the end of the first lap, though Salvadori regained this place soon after as the trunk of Clark’s Aston had opened itself and had to pull into the pits to fix the issue. Around halfway through the race, Parkes was black-flagged when part of his undertray began to drag on the road after an off-course excursion behind the bushes at Woodcote, allowing Salvadori and 1 VEV up into second place. This was not to last, as Parkes made a tactical surprise on his fourth and final pit stop, managing to undercut both Salvadori and Ireland to regain second place. Although Salvadori tried hard in the last 15 minutes to pull back the seven second deficit, the heavier Aston Martin just did not have the steam to make up any ground and he brought the car home to claim the final podium position.
1 VEV was originally built and raced together with sister car ‘2 VEV’ (DB4GT/0183/R) by John Ogier’s Essex Race Stable. Both cars were lightweight track focused versions of the Zagato derivative. 1 VEV was originally purchased and raced in the ‘green’ shade of Aqua Verde Caliente “1 VEV” and appears to have been sold by Ogier around early 1968, by which time it appears to have undergone at least 3 colour changes – ‘white’ around April 1965, ‘maroon’ around April 1966 and ironically ‘Ferrari red’ in October 1967. The car remained with Mr. Gregory up to 1990, in which it appeared to have undergone several bodywork changes to trim and arches, as well as minor interior modifications such as a radio, before being restored around 1990 and bought at auction. Despite these changes, given the lengths of ownerships and that the car had no major accidents, it remained very original. In 2007, under the watchful guidance of 1 VEV’s owner, the car was faithfully and extensively restored again, this time as accurately as possible, ensuring a return to its original 1961 specification.
This model has been handcrafted and finished in our workshops with the co-operation and assistance of Aston Martin regarding original finishes, materials, archive imagery and drawings. The use of original CAD and supremely accurate digital scanning of the original car has allowed us to perfectly recreate every detail at scale. Furthermore, the prototype model has undergone detailed scrutiny by the manufacturer’s engineering and design teams to ensure complete accuracy of representation.
2.75
2.75
Official Marketing Text:
Often billed as the “most famous car in the world”, the Aston Martin DB5 Vantage is widely considered to be amongst the most beautiful cars ever made and is often labelled as the most attractive built by the British marque. Certainly it is one of the most beloved, thanks largely to its now eternal association with a certain agent of international espionage.
Built between 1963 and 1965, the DB5 was nearly visually identical to the previous DB4. However, DB5’s most substantial change occurred under the bonnet: the introduction of a 3995cc naturally-aspirated straight-six, producing 282bhp and 280lb ft, with that power sent through to a synchromesh five-speed ZF gearbox and a robust Borg & Beck clutch to the rear wheels. It was the first time this engine was used by Aston Martin in a road car, having first seen service in the Lagonda Rapide (based on Aston’s DB4) and the Aston Martin DP215, the 1963 Le Mans endurance racer. Chassis changes included the adoption of the Girling disc brakes that had only been used on DB4 GT, along with 15” wheels. Many other improvements were incorporated including electric windows and twin hydraulic brake servos. Inside, the new car was more luxurious than any Aston before. A Normalair air-conditioning system was available as an option. However, the DB5’s many upgrades meant it weighed over 100kg more than the car it replaced, though the bigger engine kept things on track, reducing the 0-60mph time to around 8sec.
The DB5 was propelled to worldwide fame when used as James Bond's car in the movie 'Goldfinger,' as well as a number of subsequent James Bond films, eventually spawning a special Aston Martin Works creation known as the Goldfinger Continuation that was built in 2020. The association with James Bond was a marketer’s dream, the perfect example of product placement, which nearly didn’t happen at all: Jaguar’s E-type was the preferred choice, but Jaguar turned EON down, and Aston Martin’s owner David Brown was also initially reluctant to supply a DB5. The rest is history, and James Bond’s gadget laden Silver Birch DB5 became an immortal silver screen phenomenon.
This fine 1:18 scale model of the Aston Martin DB5 Vantage features an exterior specification in the iconic Silver Birch, with an all-black interior. Following in the footsteps of the successful DB4 GT, the DB5 Vantage-specification engine featured an upgraded high-compression cylinder head, altered cam timing, and triple twin-choke Weber carburettors. Power also rose to 325 bhp, forty more than the standard engine, achieving 0-60mph (0-96.5kph) in 6.5 seconds. Aston Martin produced only 65 DB5 Vantages, of which approximately 40 were right-hand drive.
This model been handcrafted and finished in our workshops with the co-operation and assistance of Aston Martin regarding original finishes, materials, archive imagery and drawings. The use of original CAD and supremely accurate digital scanning of the original car has allowed us to perfectly recreate every detail at scale. Furthermore, the prototype model has undergone detailed scrutiny by the manufacturer’s engineering and design teams to ensure complete accuracy of representation.
Note: This is a 'Kerbside' model and does not any feature moving parts.
2.75
2.75
Official Marketing Text:
Often billed as the “most famous car in the world”, the Aston Martin DB5 Vantage is widely considered to be amongst the most beautiful cars ever made and is often labelled as the most attractive built by the British marque. Certainly it is one of the most beloved, thanks largely to its now eternal association with a certain agent of international espionage.
Built between 1963 and 1965, the DB5 was nearly visually identical to the previous DB4. However, DB5’s most substantial change occurred under the bonnet: the introduction of a 3995cc naturally-aspirated straight-six, producing 282bhp and 280lb ft, with that power sent through to a synchromesh five-speed ZF gearbox and a robust Borg & Beck clutch to the rear wheels. It was the first time this engine was used by Aston Martin in a road car, having first seen service in the Lagonda Rapide (based on Aston’s DB4) and the Aston Martin DP215, the 1963 Le Mans endurance racer. Chassis changes included the adoption of the Girling disc brakes that had only been used on DB4 GT, along with 15” wheels. Many other improvements were incorporated including electric windows and twin hydraulic brake servos. Inside, the new car was more luxurious than any Aston before. A Normalair air-conditioning system was available as an option. However, the DB5’s many upgrades meant it weighed over 100kg more than the car it replaced, though the bigger engine kept things on track, reducing the 0-60mph time to around 8sec.
The DB5 was propelled to worldwide fame when used as James Bond's car in the movie 'Goldfinger,' as well as a number of subsequent James Bond films, eventually spawning a special Aston Martin Works creation known as the Goldfinger Continuation that was built in 2020. The association with James Bond was a marketer’s dream, the perfect example of product placement, which nearly didn’t happen at all: Jaguar’s E-type was the preferred choice, but Jaguar turned EON down, and Aston Martin’s owner David Brown was also initially reluctant to supply a DB5. The rest is history, and James Bond’s gadget laden Silver Birch DB5 became an immortal silver screen phenomenon.
This fine 1:8 scale model of the Aston Martin DB5 Vantage features an exterior specification in the iconic Silver Birch, with an all-black interior. Following in the footsteps of the successful DB4 GT, the DB5 Vantage-specification engine featured an upgraded high-compression cylinder head, altered cam timing, and triple twin-choke Weber carburettors. Power also rose to 325 bhp, forty more than the standard engine, achieving 0-60mph (0-96.5kph) in 6.5 seconds. Aston Martin produced only 65 DB5 Vantages, of which approximately 40 were right-hand drive.
This model been handcrafted and finished in our workshops with the co-operation and assistance of Aston Martin regarding original finishes, materials, archive imagery and drawings. The use of original CAD and supremely accurate digital scanning of the original car has allowed us to perfectly recreate every detail at scale. Furthermore, the prototype model has undergone detailed scrutiny by the manufacturer’s engineering and design teams to ensure complete accuracy of representation.
The Aston Martin DB5 Vantage is limited to just 199 pieces.
2.75
2.75
Official Marketing Text:
Often billed as the “most famous car in the world”, the Aston Martin DB5 Vantage is widely considered to be amongst the most beautiful cars ever made and is often labelled as the most attractive built by the British marque. Certainly it is one of the most beloved, thanks largely to its now eternal association with a certain agent of international espionage.
Built between 1963 and 1965, the DB5 was nearly visually identical to the previous DB4. However, DB5’s most substantial change occurred under the bonnet: the introduction of a 3995cc naturally-aspirated straight-six, producing 282bhp and 280lb ft, with that power sent through to a synchromesh five-speed ZF gearbox and a robust Borg & Beck clutch to the rear wheels. It was the first time this engine was used by Aston Martin in a road car, having first seen service in the Lagonda Rapide (based on Aston’s DB4) and the Aston Martin DP215, the 1963 Le Mans endurance racer. Chassis changes included the adoption of the Girling disc brakes that had only been used on DB4 GT, along with 15” wheels. Many other improvements were incorporated including electric windows and twin hydraulic brake servos. Inside, the new car was more luxurious than any Aston before. A Normalair air-conditioning system was available as an option. However, the DB5’s many upgrades meant it weighed over 100kg more than the car it replaced, though the bigger engine kept things on track, reducing the 0-60mph time to around 8sec.
The DB5 was propelled to worldwide fame when used as James Bond's car in the movie 'Goldfinger,' as well as a number of subsequent James Bond films, eventually spawning a special Aston Martin Works creation known as the Goldfinger Continuation that was built in 2020. The association with James Bond was a marketer’s dream, the perfect example of product placement, which nearly didn’t happen at all: Jaguar’s E-type was the preferred choice, but Jaguar turned EON down, and Aston Martin’s owner David Brown was also initially reluctant to supply a DB5. The rest is history, and James Bond’s gadget laden Silver Birch DB5 became an immortal silver screen phenomenon.
This fine 1:8 scale model of the Aston Martin DB5 Vantage features an exterior specification in the iconic Silver Birch, with an all-black interior. Following in the footsteps of the successful DB4 GT, the DB5 Vantage-specification engine featured an upgraded high-compression cylinder head, altered cam timing, and triple twin-choke Weber carburettors. Power also rose to 325 bhp, forty more than the standard engine, achieving 0-60mph (0-96.5kph) in 6.5 seconds. Aston Martin produced only 65 DB5 Vantages, of which approximately 40 were right-hand drive.
This model been handcrafted and finished in our workshops with the co-operation and assistance of Aston Martin regarding original finishes, materials, archive imagery and drawings. The use of original CAD and supremely accurate digital scanning of the original car has allowed us to perfectly recreate every detail at scale. Furthermore, the prototype model has undergone detailed scrutiny by the manufacturer’s engineering and design teams to ensure complete accuracy of representation.
The Aston Martin DB5 Vantage is limited to just 199 pieces.
2.75
2.75
Official Marketing Text:
This fine scale model has been handcrafted and finished in our workshops with the co-operation and assistance of the manufacturer regarding original finishes, materials, archive imagery and drawings.
The use of original CAD and supremely accurate digital scanning of the original car has allowed us to perfectly recreate every detail at scale.
Furthermore, the prototype model has undergone detailed scrutiny by the manufacturer’s engineering and design teams to ensure complete accuracy of representation.
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