Arnold Drake was a comic book writer and screenwriter best known for co-creating the DC Comics characters Deadman and the Doom Patrol, and the Marvel Comics characters the Guardians of the Galaxy, among others.
Comic books during this time did not routinely list creator credits; historians have, however, pinpointed Drake's first DC work as the first seven pages of the eight-page Batman story "The Return of Mister Future" in Batman #98 (March 1956). Soon, Drake was scripting stories across a variety of genres for DC, from adventure drama ("Fireman Farrell" in Showcase #1, April 1956, drawn by John Prentice) to humor (1960s stories for the company's Bob Hope and Jerry Lewis comics) to mystery and supernatural fiction (the anthology series House of Mystery) to science fiction (the feature "Tommy Tomorrow" in World's Finest Comics #102, June 1959, and elsewhere, and the feature "Space Ranger" in several issues of Tales of the Unexpected, to give a sampling).
Subject ID: 103312
MoreArnold Drake was a comic book writer and screenwriter best known for co-creating the DC Comics characters Deadman and the Doom Patrol, and the Marvel Comics characters the Guardians of the Galaxy, among others.
Comic books during this time did not routinely list creator credits; historians have, however, pinpointed Drake's first DC work as the first seven pages of the eight-page Batman story "The Return of Mister Future" in Batman #98 (March 1956). Soon, Drake was scripting stories across a variety of genres for DC, from adventure drama ("Fireman Farrell" in Showcase #1, April 1956, drawn by John Prentice) to humor (1960s stories for the company's Bob Hope and Jerry Lewis comics) to mystery and supernatural fiction (the anthology series House of Mystery) to science fiction (the feature "Tommy Tomorrow" in World's Finest Comics #102, June 1959, and elsewhere, and the feature "Space Ranger" in several issues of Tales of the Unexpected, to give a sampling).
In 1963, as Drake had warned, Marvel's increasingly profitable circulation increased enough to force Independent News to allow it to publish more titles. Meanwhile, editor Murray Boltinoff asked Drake to develop a feature to run in the anthology series My Greatest Adventure. Given the assignment on a Friday with a script due that Tuesday, and inspired to emulate Marvel's idea for superheroes with more character depth, Drake conceived of what would become the superhero team the Doom Patrol, and turned to another DC writer, Bob Haney, to co-plot and co-script the first adventure. Artist Bruno Premiani designed the characters. Drake would subsequently script every Doom Patrol story, with Premiani drawing virtually all, from the team's debut in My Greatest Adventure #80 (June 1963) through the series retitling to The Doom Patrol with issue #86 (March 1964), to the final issue of its initial run, #121 (Oct. 1968). Drake and Bob Brown introduced Beast Boy in Doom Patrol #99 (Nov. 1965).
Meanwhile, Drake noticed that Marvel Comics published a series of their own, The Uncanny X-Men, barely a few months later that seemed to mirror his own series' concepts in many respects. These included the concept of a wheelchair-bound mentor leading a team of outcast superheroes who often clashed with a team of villains called the Brotherhood of Evil Mutants that seemed too close to The Doom Patrol's own enemies, the Brotherhood of Evil. However, Drake found no support for his complaints from National's editorial staff until Drake was forced to concede at that time that it could have been a coincidence.
Subject ID: 103312
Subject ID: 103312
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Reprints Giant Size X-Men 1.
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In 1950, writers Arnold Drake and Leslie Waller, both attending college on the G.I. Bill, envisioned a sophisticated, novel-length comic tailored to their peers. Collaborating with comics art master Matt Baker, known for singularly defining the genre of "good girl art" on titles such as Phantom Lady, they crafted a film-noir inspired masterwork of romance, intrigue, and moral relativity. When cynical newspaperman Hal Weber reunites with old flame Rust Masson, he finds the beguiling widow of a mining magnate willing to do anything to undermine the local political machine--her only opponent for total control of Copper City!
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Iceman and Beast go with Vera and Zelda to watch Maha Yogi, a magician; Yogi, who is revealed to be Warlock, hypnotizes the crowd and everyone becomes a human bomb.
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Iceman and Beast go to California while Cyclops and Jean battle robots in New York; a giant robot named Computo makes small robot warriors; Quasimodo appears.
Angel warns Jean about Cerebro beeping loudly, and she tells the other X-Men; a group commanded by Mesmero uses a machine (along with his powers) to turn latent mutants into full-fledged mutants in order to form his army; 1st appearance of Mesmero.
Mesmero captures Lorna Dane and Iceman; Mesmero tells everyone that Lorna Dane is Magneto's daughter.
The X-Men battle, Magneto, Mesmero, and company; Magneto tells everyone that Lorna Dane is his daughter.
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Eric the Red attacks Mesmero and his army; Eric defeats Mesmero and heads toward Magneto, who is injured; Marvel Girl, Angel, and Beast break into Mesmero's headquarters; Iceman gets caught in trap intended for Mesmero
Blaastar is accidentally brought back from the Negative Zone by Jean; Blaastar attacks the X-Men, who sends him back to the Negative Zone.
The X-Men battle Ahmet "The Living Pharaoh" Abdol, who has captured Cyclops' younger brother, Alex; two cops try to arrest Cyclops for the murder of Abdol.
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